#OnRepeat: Cat Stevens’ “Father and Son”

This week, I’ve had Cat Stevens’ “Father and Son” #OnRepeat. Since I’m a huge fan of music from the 1960s and 1970s , this singer and song were bound to end up one of these posts eventually.

Cat Stevens (born Steven Demetre Georgiou, now Yusuf Islam) is a singer, songwriter, and guitar player from the Marylebone area of London, England. Several of his albums have topped the international billboard charts for weeks at a time and he was inducted into the the Rock and Roll Hall of Fame in 2014. His music is a blend of Folk, Country, Pop, Rock, and later in his career, Islamic music influences. Some of his most well-known songs are “Moonshadow,” “Peace Train,” “The First Cut is the Deepest,” and “Wild World.”

“Father and Son” was written and recorded by Cat Stevens for his 1970 album, Tea for the Tillerman. The song tells about a conversation between a father and a son, the misunderstandings that arise between older and younger generations, and the need to come to terms with personal life decisions. Stevens uses the lower part of his register for the words spoken by the father and the higher part of his register to represent the son speaking. Stevens’ lyric writing is simple, but poignant, and though there is not much use of vibrato in his voice, Stevens’ portrayal of the message brings out a bittersweet depth and desperation in this song that causes you to pause and listen. And maybe even potentially cry when no one is looking.

Take a listen below:

Are there any bands or singers that you can’t stop listening to? Leave a comment below!

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#OnRepeat: The Beach Boys’ “Wouldn’t It Be Nice”

This week, I’ve had The Beach Boy’s “Wouldn’t It Be Nice” #OnRepeat. This song has been a favorite of mine for awhile, but I’ve been playing it a lot lately because of the weather and the upbeat nature of the song.

The Beach Boys are a rock group from Hawthorne, California that formed in 1961. Their use of vocal harmony, different musical arrangement techniques, and surf and beach lyrics made them an influential and popular band during the 1960s and 70s. Their music is a blend of 1950s-style Rock’N’Roll, Pop, Jazz, and Psychedelic music, creating a unique sound that was surprisingly more complex than much of the rock music that was being created at the time. Some of the most well-known songs are “Good Vibrations,” “California Girls,” “I Get Around,” and “Don’t Worry Baby.”

“Wouldn’t It Be Nice” was written and recorded in 1966 for the album, Pet Sounds, using Classical music influences and instruments that weren’t typically associated with American Pop music, like the accordion. The lyrics describe a young couple who want to be together, but can’t because of their age. Even though the words evoke feelings of lament and longing, the music is bright and upbeat; and the singers’ vocal harmonies and catchy melody make this song easy to get stuck in your head.

Take a listen below:

 

 

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#OnRepeat: Marvin Gay & Tammi Terrell “Ain’t No Mountain High Enough”

This week, I’ve had Marvin Gaye and Tammi Terrell’s “Ain’t No Mountain High Enough” #OnRepeat. This has always been a favorite Marvin Gaye song and for some reason this week I haven’t been able to stop listening to it.

Marvin Gaye was a singer, songwriter, drummer, and record producer from Washington D.C. His playing and singing style helped shape the Motown sound of the 1960s and would eventually influence many future Neo Soul and R&B singers. Some of his most well-known songs are “Let’s Get It On,” “What’s Going On,” “You’re All I Need to Get By,” and “Inner City Blues.”

Tammi Terrell is a singer from Philadelphia who became famous for her string of duets with Marvin Gaye and for her brief work with James Brown. Along with “Ain’t No Mountain High Enough,” her other hits were “Ain’t Nothing Like the Real Thing” and “You’re All I Need to Get By.” Had she not died at an early age from cancer, she would have no doubt been very successful on the Motown, and later, R&B scene.

The song “Ain’t No Mountain High Enough” is essentially a love song; one person tells another how they’ll be there for the other no matter what because of their undying, unconditional love. The theme and words are straight forward (heavy and bittersweet, if you think about it), but the music itself is upbeat and catchy, causing you to sing the melody long after the song has ended. Gaye and Terrell’s voices blend nicely together and individually, they bring a soulful and sweet element to the song through phrasing and vocal riffs.

Take a listen below:

Do you have a singer  or group that you can’t stop listening to? Leave a comment below!

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#OnRepeat: Queen’s “Bohemian Rhapsody”

This week, I’ve had Queen’s “Bohemian Rhapsody”#OnRepeat. I grew up listening to this song repeatedly, but didn’t really quite appreciate it until recently.

Queen is a rick band from London, England that was popular during the 1970s and 1980s. The band was lead by vocalist and pianist, Freddy Mercury (famously known for sliding effortlessly up and down his five-octave range), writing music that blended Pop, Heavy Metal, Progressive Rock, and Classical music. They were known for experimenting heavily with sound and live stage performance techniques. Some of their most well-known songs are “We Will Rock You,” “Another One Bites the Dust,” and “Somebody to Love.”

“Bohemian Rhapsody” was a song written by Freddy Mercury that became one of the most iconic Pop songs in the last several decades. Nearly six minutes in length, the song was written in the format of a suite, with changes in style and tempo, moving from a Ballad section to an “Operatic” section, to an aggressive Hard Rock. Mercury’s virtuosic voice is prominent throughout with an incredibly powerful, piercing upper range that he utilizes while belting. He demonstrates ridiculous efficiency in diction and rhythm, and he was able to slide from subtle and sweet to brash and energetic almost seamlessly. Having grown up listening to Queen, and then training as a vocalist myself, I have gained a whole new level of respect for this song, Freddy Mercury, and the band as a whole.

Take a listen below:

What do you think? What is your favorite Queen song? Let us know in the comments below!

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#OnRepeat: “Without Question” -Elton John (from the movie, The Road to El Dorado)

 

 

This week, I’ve had Elton John’s “Without Question” from the movie, The Road to El Dorado, #OnRepeat. I watched this movie the other night and I couldn’t get enough of this song, especially because of Elton’s voice.

Elton John is a singer, pianist, and composer from London, England who is one of the best-selling music artists in the world, having sold millions of albums internationally, dozens of awards (including five Grammy Awards), and several songs on the Top 40 hit list. He is a strong advocate for LGTBQ social movements and rights, and continues to raise money to help fight and raise awareness for HIV and AIDS. Elton’s music blends Pop, Rock, R&B, Gospel, Glam and Soft Rock musical influences. Some of his most well-known songs are “Candle in the Wind,” “Something About the Way You Look Tonight,” “Can You Feel the Love Tonight (yes, the song from the movie, The Lion King),” and “Your Song.” This brief introduction to Elton John really doesn’t do him any justice, so please go check out more of his music (he has TONS of songs…TONS).

“Without Question” is a song written by Tim Rice and Elton John for the movie, The Road to El Dorado. The lyrics, although slightly vague, give the impression of a person who has been going through life doing whatever they want, almost carelessly, until they came across another who they fell in love with; their views and life completely gets flipped on its head. This is my interpretation of the lyrics, but other people could interpret it differently. That’s the great thing about art, and really, Elton John’s music: it’s still a beautiful song to listen to even though you don’t quite understand the message that the lyrics are trying to convey. Elton’s voice is bright and powerful; his belt voice isn’t over-bearing and his lower part of his range is as evenly balanced and piercing as his upper register. The guitar is a great addition to this arrangement as well. The version below from the movie only has the first verse of the song, but you can get a really good idea of what it sounds like.

Take a listen below:

What do you think? Do you have a favorite Elton John song? Let us know in the comments below!

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Memoirs of a Frustrated Singer – “Karaoke”

“Oh my gosh, you sing? How fun!” Dina whined. She was a friend of Sam and Natalie, and that was the only reason why she didn’t roll her eyes.

Natalie noticed the look on her face, quickly adding, “You know what might be fun? Karaoke.” She grabbed Sam’s arm. “There’s this great karaoke bar with good happy hour specials fifteen minutes from here.”

She winced. She knew how much Natalie loved karaoke because of her love for Pop music and performing, but she would rather scrape her nails on a chalkboard than sing into a cheap sound system at a bar.

“Yeah! Singers love karaoke!” Dina said, enthusiastically.

“Um, that’s not necessarily tr–” she began, but the other three were so excited that they began to talk over her. Where was it written, or agreed upon, that vocalists loved to do karaoke? She shook her head to herself as they all got into Sam’s car.

“This place has the best song selection and there’s four-dollar beers–”

“Yay! I love karaoke!”

“Can we pick teams?”

“Tiffany’s on my team–”

She began to rub her head where she felt a headache coming on. She should’ve drove her own car.

They parked and walked into the bar. There was a pungent smell of liquor in the air and several people were yelling, clearly already intoxicated.

“Just think of it this way: this is the best place to get up and sing because everyone’s so drunk, that even when you mess up, everyone will still cheer you on,” Sam jokingly said in her ear.

“You do realize everything that is wrong with the statement you just made, right?” she asked, looking sideways at Sam.

Natalie and Dina were too busy chatting away to see how uneasy she felt. She knew Sam was trying to make her feel better, but it made her feel even worse knowing that no one would care if she hit the right notes in some random Pop song, much less even remember her face. She sat back in her chair, casually sipping a beer as different people got up and mumbled into the microphone.

This was going to be an interesting night.

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#OnRepeat: Paul McCartney’s “Live and Let Die”

This week, I’ve had Paul McCartney’s “Live and Let Die” #OnRepeat. I remember hearing this song in one of the Shrek movies (completely serious) and I’ve loved it ever since. Interesting fact: it is incredibly hard to find and purchase this song by itself, so if anyone finds it, please send it/and or a link to it my way.

Paul McCartney is a singer, songwriter, actor, multi-instrumentalist, and composer from Liverpool, England. He got his start in the internationally successful group, The Beatles, and the songwriting work that he and John Lennon did has been celebrated over multiple generations. After the band split up, Paul went on to pursue a solo career and later formed another band called Wings. Some of his most well-known songs are “Yesterday,” “Yellow Submarine,” “My Love,” and “Lady Madonna.”

“Live and Let Die” is a song written by Paul McCartney and his first wife, Linda, and performed by Paul’s band called Wings. It was the theme song of the 1973 James bond film of the same name, Live and Let Die, and was the most successful Bond theme song at the time and the band’s most successful song. The arrangement of piano and violin during the verses allows the change for the chorus to really be highlighted through the use of drums and guitar. Paul McCartney has always had the perfect voice for heartfelt, Pop-like ballads, and music filled with poignant lyrics, so this song is right up his alley. The melody is catchy and the lyrics are simple yet straightforward, making this song relatable even years later–a true testament to Paul’s song writing.

Take a listen below:

Which of Paul McCartney’s songs are your favorite, and why? Leave a comment below!

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#OnRepeat: Sam Cooke’s “Wonderful World”

This week, I’ve had Sam Cooke’s “Wonderful World” #OnRepeat. Even though I’m writing a post about this song this week, this song has been running through my brain for the past month or so. Yeah, it’s that good.

I’m pretty sure I’ve written about Sam Cooke before–his voice and music is so soulful and iconic–but if not, Sam Cooke is a singer and songwriter who is considered to be one of the most influential vocalists of his time. His music consisted of Soul, Gospel, R&B, Swing, Jazz, and Pop music, and although he died young, his music is still considered relevant decades later. Some of his most well-known songs are “A Change is Gonna Come,” “You Send Me,” “Cupid,” and “Twistin’ the Night Away.”

“Wonderful World” was originally written by the song writing duo, Lou Adler and Herb Alpert, with Cooke tweaking the lyrics to emphasize education more. The lyrics for the song were written with the theme of love and feelings completely trumping knowledge and education. Cooke’s smooth vocal timbre and seemingly effortless delivery of the melody and the lyrics highlight the theme even more, giving you an image of someone who hasn’t got a care in the world since they have the love of another. Cooke’s voice and performance, combined with the catchy melody and child-like, lullaby lyrics make this song a classic for me; one that is perfect for playing in your car while driving by the beach on a hot summer day.

Take a listen below:

Do you have any songs or singers that you can’t stop listening to? Leave a comment below!

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#OnRepeat: Cyndi Lauper’s “Time After Time”

The week, I’ve had Cyndi Lauper’s “Time After Time” #OnRepeat. I grew up listening to Cyndi Lauper and this song, but only recently rediscovered this song after hearing Anne, Donna, and April sing their own version of this song on the show, Parks and Recreation.

Cyndi Lauper is a singer, songwriter, and actress from New York who was popular during the 1980s. She is a strong LGBTQ activist and has won multiple Grammy Awards and Tony Awards for her songwriting. Her music blends Pop, Rock, Blues, Synthetic Pop, and Soul music. Some of her most well-known songs are “Girls Just Want to Have Fun,” “True Colors,” “All Through the Night,” and “She Bop,” also composing lyrics and music for the Broadway musical, Kinky Boots.

“Time After Time” was written by Cyndi Lauper and Rob Hyman for Lauper’s debut album, She’s So Unusual, in 1983. The song lyrics depict a classic theme of love and devotion, but the actual arrangement itself gives the song its iconic sound and 1980s vibe. Lauper’s voice always reminds me of my childhood–I was born in 1988, but a lot of 80s music was played in my parents’ household well into the latter half of the 90s–so I am partial to her music. The range of the melody is reminiscent of Bon Jovi’s “Don’t Stop Believing;” one of those types of songs that has the potential to showcase a singer’s range and command of their voice. Lauper is no different in this regard, but in some ways brings a child-like, innocent quality with her performance, making the meaning behind the lyrics pure and real.

Take a listen below:

 

What do you think? Do you have any songs or singers that you can’t stop listening to? Leave a comment below!

 

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#OnRepeat: Blue Swede’s “Hooked on a Feeling”

This week, I’ve had Blue Swede’s version of “Hooked on a Feeling” #OnRepeat. I’ve been listening to a lot of music from the 1960s and 70s, and this song has been too catchy to keep from playing more than once, especially because of the “ooga-ooga-chackas” (if you’ve heard the song, you know what I’m talking about).

Blue Swede was a rock band from Sweden that played cover songs. They were led by Sweden’s most popular vocalist at the time, Björn Skifs, and were active during the early 1970s. They rose to international success when they released their version of “Hooked on a Feeling,” reaching the top of the Billboard charts for more than three months. Some of their other well-known cover songs are “Silly Milly,” “Never My Love,” and “Hush.”

“Hooked on a Feeling” is a pop song originally recorded by B.J. Thomas in 1968, and was written by Mark James. The Blue Swede version of this song is actually a cover of the British singer-songwriter, Jonathan King, whose version features the well-known “ooga-ooga-chacka.” They also changed the lyrics slightly to avoid any possible drug references. Songs just aren’t written this way anymore–not overly-sexualized or over-dramatic, playful yet simple and to the point. Plus, the music and arrangement is catchy and Björn’s voice cuts through the band like a knife. His swing and flair, combined with a powerful vocal timbre is reminiscent of Tom Jones (the similarities make sense since Jones was popular internationally during the 1960s).

Take a listen below:

 

 

Are there any singers or groups that you can’t stop listening to? Leave a comment below!

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